How we got here....our Edinburgh journey so far....
First of all I went to last summer’s Edinburgh festival on a recce – highly recommended if you’ve never been to the Edinburgh Festival. It’s a wonderful experience going up as a punter, the atmosphere and the variety of shows on offer and as well as being a great opportunity to see some exciting shows (and a few not so exciting!). It also gives you a chance to take a peek at the various theatre spaces you might want to apply to. There are also loads of free events organised by the Fringe Society, which are designed to inform and equip you for the task of bringing a show to the festival. It’s in their interest to encourage and support you, there would be no festival without nutters like us, who decide that they will indeed join in the madness and take a show to the biggest arts festival in the world...and sink or swim! Most of these free events are a bit like the “Spotlight On” events that PANDA organizes. They have subjects like “How To Do A Show at the Fringe” or “How to Sell a Show at the Fringe”. They usually have a panel who are associated with the fringe, for example, a venue manager, an independent producer and a company member would be a typical line up. They are introduced by the host from the Fringe Society and then each panel member talks a little about the subject – marketing, producing etc – and then the audience can ask questions at the end. Some questions never get straight answers, like my question at all these events, “How much does it cost to take a show to the fringe.” This is because it really does depend how you approach it and where you perform and what kind of accommodation etc etc. There’s the free fringe, where you can put on your show, there are no fees for the venue and you take turns running the box office or tearing tickets for the other shows which are on at that venue. But even with the free fringe you still need somewhere to stay, to get flyers and posters printed, find an audience etc. So once you’ve gathered your information and decided to take a show up, the next step is to apply to the venues that you want to perform at. This is usually between January and March and the venue managers usually try to make the offers in good time for the early bird deadline to register your show with the Fringe Society, it’s about £100 cheaper if you register early, and this gets your show in the brochure and on the Fringe website.
The other thing that’s really useful is to get a copy of the fringe brochure, which lists all the shows in the festival. It’s really interesting to browse through it and notice what catches your attention, what invites you to buy tickets and what words/images etc put you off....all of which is very useful information for when it comes to putting together your own words and images to sell your own show.
My only previous experience of producing a show for a theatre festival, is when we did ‘Not With That Hand’ in the 2007 247 Theatre Festival in Manchester. This is a great training in the step by step approach, doing one thing after another and not panicking are the main (and important) lessons that I learnt from that experience.
So after looking at spaces and seeing some shows and attending the fringe events, I came back to Manchester and had a good think about whether we would go with The Fragility of X and if we did, - how would we do it?
My first choice of venue was Big Belly at Underbelly, I just felt that the whole vibe at Underbelly was right for Coal and that this particular performance space was right for The Fragility of X – only 60 seats, but a big, cavernous performance space, so when we were offered a good slot in the afternoon, in that particular venue, that helped to make the decision to go to Edinburgh and partake in the madness.
More soon....www.coal-theatre.co.uk
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Labels: Theatre Edinburgh Fringe Festival